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ワイセンボーン
 ファゴット練習曲集 第1巻
  Weissenborn
  Fagott-Studien für Anfänger
  Op. 8 / Heft I



ALCD-9197, 9198 税抜価格3,400円 2019/09/07発売<br> JAN 4530835 112679西ノ村徳仁 野村和代(ファゴット)
[Fagott]Norihito Nishinomura, Kazuyo Nomura



[DISC 1]
ワイセンボーン:ファゴット練習曲集 第1巻
I 表現の本質的な種類の練習
a) Tenuto
[1] 1. Slow
[2] 2.
[3] 3.
[4] 4.
[5] 5.
[6] 6.
[7] 7.
[8] 8.
[9] 9.
[10] 10.
[11] 11.
[12] 12.
b) Legato
[13] 1. Sostenuto
[14] 2.
[15] 3.
[16] 4.
[17] 5.
[18] 6.
[19] 7.
[20] 8.
c) Staccato
[21] 1. Allegro moderato
[22] 2. Allegretto
[23] 3. Andante
[24] 4. Moderato
[25] 5. Andante con moto
[26] 6. Moderato
d) Portamento
[27] 1. Andante sostenuto
[28] 2. Andantino
[29] 3. Andante
[30] 4. Andante
e) Forte, piano, crescendo and diminuendo
[31] 1. Sostenuto
[32] 2. Adagio
[33] 3. Andante
[34] 4. Allegro
f) Marcato, Sforzando, Rinforzando, Forte-piano, etc.
[35] 1. Alla breve
[36] 2. Andante

II テノール音部記号
[37] 1. Alla breve
[38] 2. Andante
[39] 3. Allegretto
[40] 4. Amdamte con moto

III 全ての調のスケールに基づく練習
[41] 1. C major: Sostenuto
[42] 1. C major: Slowly
[43] 1. C major: Poco adagio
[44] 2. A minor: Sostenuto
[45] 2. A minor: Slowly
[46] 2. A minor: Poco adagio
[47] 3. F major: Sostenuto
[48] 3. F major: Slowly
[49] 3. F major: Moderato
[50] 4. D minor: Sostenuto
[51] 4. D minor: Slowly
[52] 4. D minor: Poco lento
[53] 5. B♭ major: Sostenuto
[54] 5. B♭ major: Slowly
[55] 5. B♭ major: Slowly
[56] 5. B♭ major: Andante
[57] 6. G minor: Sostenuto
[58] 6. G minor: Slowly
[59] 6. G minor: Andante con moto
[60] 7. E♭ major: Sostenuto
[61] 7. E♭ major: Slowly
[62] 7. E♭ major: Allegro moderato
[63] 8. C minor: Sostenuto
[64] 8. C minor: Slowly
[65] 8. C minor: Andante
[66] 9. A♭ major: Sostenuto
[67] 9. A♭ major: Slowly
[68] 9. A♭ major: Poco lento
[69] 10. F minor: Sostenuto
[70] 10. F minor: Fairly slowly
[71] 10. F minor: Slowly
[72] 10. F minor: Moderato
[73] 11. D♭ major: Sostenuto
[74] 11. D♭ major: Fairly slowly
[75] 11. D♭ major: Slowly
[76] 11. D♭ major: Andante

[77] 12. B♭ minor: Sostenuto
[78] 12. B♭ minor: Slowly
[79] 12. B♭ minor: Slowly
[80] 12. B♭ minor: Allegro moderato
[81] 13. G♭ and F♯ major: Sostenuto
[82] 13. G♭ and F♯ major: Fairly slowly
[83] 13. G♭ and F♯ major: Slowly
[84] 13. G♭ and F♯ major: Alla marcia
[85] 14. E♭ and D♯ minor: Sostenuto
[86] 14. E♭ and D♯ minor: Fairly slowly
[87] 14. E♭ and D♯ minor: Slowly
[88] 14. E♭ and D♯ minor: Andante maestoso


[DISC 2]
[1] 15. B major: Sostenuto
[2] 15. B major: Slowly
[3] 15. B major: Fairly slowly

[4] 15. B major: Andante (syncopated)
[5] 16. G♯ minor: Sostenuto
[6] 16. G♯ minor: Fairly slowly
[7] 16. G♯ minor: Fairly slowly
[8] 16. G♯ minor: Slowly
[9] 16. G♯ minor: Andante
[10] 17. E major: Sostenuto
[11] 17. E major: Fairly slowly
[12] 17. E major: Slowly
[13] 17. E major: Poco adagio
[14] 18. C♯ minor: Sostenuto
[15] 18. C♯ minor: Fairly slowly
[16] 18. C♯ minor: Slowly
[17] 18. C♯ minor: Allegro moderato
[18] 19. A major: Sostenuto
[19] 19. A major: Fairly slowly
[20] 19. A major: Slowly
[21] 19. A major: Andante
[22] 20. F♯ minor: Sostenuto
[23] 20. F♯ minor: Fairly slowly
[24] 20. F♯ minor: Slowly
[25] 20. F♯ minor: Andante
[26] 21. D major: Sostenuto
[27] 21. D major: Fairly slowly
[28] 21. D major: Slowly
[29] 21. D major: Allegro moderato
[30] 22. B minor: Sostenuto
[31] 22. B minor: Fairly slowly
[32] 22. B minor: Slowly
[33] 22. B minor: Allegro moderato
[34] 23. G major: Sostenuto
[35] 23. G major: Fairly slowly
[36] 23. G major: Slowly
[37] 23. G major: Allegro
[38] 24. E minor: Sostenuto
[39] 24. E minor: Fairly slowly
[40] 24. E minor: Slowly
[41] 24. E minor: Allegretto

IV アルペジオ(分散和音)とコード
[42] 1. Allegro moderato
[43] 2. Allegretto
[44] 3. Moderato
[45] 4. Moderato
[46] 5. Poco adagio
[47] 6. Andante (Diminished sevenths)

V 半音階
[48] 1. Andante con moto
[49] 2. a

Andante con moto
[50] 2. b

L'istesso tempo

VI 3度、4度、6度、オクターブ、10度
[51] Lento (Thirds - Fourth - Sixths - Octaves - Tenths - Thirds)

VII 一般的な装飾音符
[52] 1. The appoggiatura  Andante sostenuto
[53] 2. The acciaccatura  Allegretto
[54] 3. Double or triple grace notes

Slow waltz-time
[55] 4. The turn

Andante con moto
[56] 5. The inverted turn  Larghetto
[57] 6. The mordent

Allegro moderato
[58] 7. The trill

Andante risoluto

  西ノ村徳仁,野村和代(ファゴット)

[59] ドヴィエンヌ:《6つのコンチェルタンテ》より第2番・第1楽章
  西ノ村徳仁,野村和代(ファゴット)

[60] シュルホフ:《低音のナイチンゲール》より第1楽章〈メランコリア〉
  西ノ村徳仁(コントラファゴット)

C. サン=サーンス:《バソン・ソナタ》
 [61] 第1楽章 Allegro moderato
 [62] 第2楽章 Allegro scherzando
 [63] 第3楽章 Molto adagio
  小山清(バソン)野平一郎(ピアノ)


〈録音〉
2019年4月15−18日 五反田文化センター …… CD1・CD2 [1] – [60]
2019年7月26日 稲城市立iプラザ …… CD2 [61] – [63]




世界初CD化! ファゴット奏者にとっての定番の教則本
全曲に奏者による解説とワンポイントアドヴァイス付き


西ノ村徳仁(ファゴット)
愛知県立芸術大学音楽学部及びチューリッヒ芸術大学修士課程ならびにソリスト課程を修了。これまでにファゴットを青谷良明、Matthias Racz、コントラファゴットをGerd Vosseler、Hans Agredaの各氏に師事。2008年の小澤征爾音楽塾オペラプロジェクト並びにサイトウキネンフェスティバル松本「青少年のためのオペラ」に参加。在学中よりチューリッヒ・トーンハレ管弦楽団、チューリッヒ歌劇場管弦楽団に客演。2014年にはMusikkollegium Winterthurとモーツァルトのファゴット協奏曲を共演。2012年よりベルン交響楽団副首席兼コントラファゴット奏者に就任。2014年よりベルン芸術大学にてコントラファゴットの講師を務める。

野村和代(ファゴット)
愛知県立芸術大学音楽学部器楽科卒業。同大学院音楽研究科修士課程修了。これまでにファゴットを青谷良明、菅原眸、中川良平、前田信吉の各氏に師事。2018年よりバソンを小山清氏に師事。第26回読売中部新人演奏会出演。第143回日本演奏連盟新人演奏会にて名古屋フィルハーモニー交響楽団とウェーバーのファゴット協奏曲を共演。中日賞受賞。2009年、2010年、IDRSに中川良平音楽監督「蓼科カルテット」で参加、リサイタルを行う。また、2017年同カルテットのレコーディングセッションに参加。同年名古屋にてソロリサイタル開催。愛知室内オーケストラファゴット奏者。芸術文化活動が第26回愛銀教育文化財団の助成金を受ける。


小山清(バソン)
1969年武蔵野音楽大学卒業。同年、フランス政府給費留学生としてパリ国立高等音楽院に入学。バソンをモーリス・アラール氏、室内楽をピエール・ピエルロ氏に師事。71年バソン並びに室内楽のプルミエプリを獲得。73年ヴェネチア室内合奏団にソリストとして入団。76年プラド国際フェスティバルでヴィヴァルディのバソン協奏曲を演奏。同団とともに欧米各地でソリストとして演奏。ザルツブルグ音楽祭をはじめ数々の音楽祭に出演。エラート社から多数の録音が出ている。80年日本フィルハーモニー交響楽団に入団し、モーツァルトとドゥヴィエンヌのバソン協奏曲を共演。その後、シンフォニエッタ静岡・バソン・スーパーソロとして、モーツァルト、フランセ、ヴィヴァルディのバソン協奏曲を共演。92年東芝EMIよりCD「兵士の物語」。97年に日本バソンの会を設立。バソンの普及につとめる。コジマ録音よりCD「フランスバソンⅠ・Ⅱ」をリリース。03年フランス・カーンでのバソンコンチェルト・リサイタルをはじめ世界各地でバソン協奏曲演奏とリサイタル。ヴィヴァルディ・バソン協奏曲全37曲をシンフォニエッタ静岡と共演継続中。2015年、2017年フルート、バソン、ピアノのトリオでフランスツアー公演。2009年より毎年高知・青源寺で「山寺・バソンコンサート」。


野平一郎(ピアノ)
東京藝術大学、同大学院修士課程作曲科を修了後、フランス政府給費留学生としてパリ国立高等音楽院に学ぶ。ピアニストとして内外のオーケストラにソリストとして出演する一方、多くの国際的名手たちと共演し、室内楽奏者としても活躍、古典から現代までレパートリーは幅広い。近年は指揮者としても活躍、コンチェルトの弾き振りを含め、自作初演でNHK交響楽団等を指揮する。100曲に及ぶ作品の中には、フランス文化庁、アンサンブル・アンテルコンタンポラン、IRCAM、国立劇場その他からの委嘱作品があり、2019年現在での近作は「祝典序曲」(ケント・ナガノ/モントリオール響)、『管弦楽のための「時の歪み」』(杉山洋一/東京都響)、NHK交響楽団との3年に亘る新作発表のプロジェクト「シズオカ・トリロジーⅠ、Ⅱ」、室内オペラ「亡命」など。オーケストラ・ニッポニカのミュージック・アドヴァイザー。第13回中島健蔵音楽賞、第11回京都音楽賞実践部門賞、第35回サントリー音楽賞、第55回芸術選奨文部科学大臣賞、第44回および第61回尾高賞、第75回日本芸術院賞を受賞。2012年紫綬褒章を受章。現在、静岡音楽館AOI芸術監督。東京藝術大学作曲科教授。






[DISC 1]
Weissenborn: Fagott-Studien für Anfänger Op. 8 / Heft I

I. Producing and sustaining the notes
a) Tenuto
[1] 1. Slow
[2] 2.
[3] 3.
[4] 4.
[5] 5.
[6] 6.
[7] 7.
[8] 8.
[9] 9.
[10] 10.
[11] 11.
[12] 12.
b) Legato
[13] 1. Sostenuto
[14] 2.
[15] 3.
[16] 4.
[17] 5.
[18] 6.
[19] 7.
[20] 8.
c) Staccato
[21] 1. Allegro moderato
[22] 2. Allegretto
[23] 3. Andante
[24] 4. Moderato
[25] 5. Andante con moto
[26] 6. Moderato
d) Portamento
[27] 1. Andante sostenuto
[28] 2. Andantino
[29] 3. Andante
[30] 4. Andante
e) Forte, piano, crescendo and diminuendo
[31] 1. Sostenuto
[32] 2. Adagio
[33] 3. Andante
[34] 4. Allegro
f) Marcato, Sforzando, Rinforzando, Forte-piano, etc.
[35] 1. Alla breve
[36] 2. Andante

II. Tenor Clef
[37] 1. Alla breve
[38] 2. Andante
[39] 3. Allegretto
[40] 4. Amdamte con moto

III. Studies based on scales
[41] 1. C major: Sostenuto
[42] 1. C major: Slowly
[43] 1. C major: Poco adagio
[44] 2. A minor: Sostenuto
[45] 2. A minor: Slowly
[46] 2. A minor: Poco adagio
[47] 3. F major: Sostenuto
[48] 3. F major: Slowly
[49] 3. F major: Moderato
[50] 4. D minor: Sostenuto
[51] 4. D minor: Slowly
[52] 4. D minor: Poco lento
[53] 5. B♭ major: Sostenuto
[54] 5. B♭ major: Slowly
[55] 5. B♭ major: Slowly
[56] 5. B♭ major: Andante
[57] 6. G minor: Sostenuto
[58] 6. G minor: Slowly
[59] 6. G minor: Andante con moto
[60] 7. E♭ major: Sostenuto
[61] 7. E♭ major: Slowly
[62] 7. E♭ major: Allegro moderato
[63] 8. C minor: Sostenuto
[64] 8. C minor: Slowly
[65] 8. C minor: Andante
[66] 9. A♭ major: Sostenuto
[67] 9. A♭ major: Slowly
[68] 9. A♭ major: Poco lento
[69] 10. F minor: Sostenuto
[70] 10. F minor: Fairly slowly
[71] 10. F minor: Slowly
[72] 10. F minor: Moderato
[73] 11. D♭ major: Sostenuto
[74] 11. D♭ major: Fairly slowly
[75] 11. D♭ major: Slowly
[76] 11. D♭ major: Andante

[77] 12. B♭ minor: Sostenuto
[78] 12. B♭ minor: Slowly
[79] 12. B♭ minor: Slowly
[80] 12. B♭ minor: Allegro moderato
[81] 13. G♭ and F♯ major: Sostenuto
[82] 13. G♭ and F♯ major: Fairly slowly
[83] 13. G♭ and F♯ major: Slowly
[84] 13. G♭ and F♯ major: Alla marcia
[85] 14. E♭ and D♯ minor: Sostenuto
[86] 14. E♭ and D♯ minor: Fairly slowly
[87] 14. E♭ and D♯ minor: Slowly
[88] 14. E♭ and D♯ minor: Andante maestoso


[DISC 2]
[1] 15. B major: Sostenuto
[2] 15. B major: Slowly
[3] 15. B major: Fairly slowly

[4] 15. B major: Andante (syncopated)
[5] 16. G♯ minor: Sostenuto
[6] 16. G♯ minor: Fairly slowly
[7] 16. G♯ minor: Fairly slowly
[8] 16. G♯ minor: Slowly
[9] 16. G♯ minor: Andante
[10] 17. E major: Sostenuto
[11] 17. E major: Fairly slowly
[12] 17. E major: Slowly
[13] 17. E major: Poco adagio
[14] 18. C♯ minor: Sostenuto
[15] 18. C♯ minor: Fairly slowly
[16] 18. C♯ minor: Slowly
[17] 18. C♯ minor: Allegro moderato
[18] 19. A major: Sostenuto
[19] 19. A major: Fairly slowly
[20] 19. A major: Slowly
[21] 19. A major: Andante
[22] 20. F♯ minor: Sostenuto
[23] 20. F♯ minor: Fairly slowly
[24] 20. F♯ minor: Slowly
[25] 20. F♯ minor: Andante
[26] 21. D major: Sostenuto
[27] 21. D major: Fairly slowly
[28] 21. D major: Slowly
[29] 21. D major: Allegro moderato
[30] 22. B minor: Sostenuto
[31] 22. B minor: Fairly slowly
[32] 22. B minor: Slowly
[33] 22. B minor: Allegro moderato
[34] 23. G major: Sostenuto
[35] 23. G major: Fairly slowly
[36] 23. G major: Slowly
[37] 23. G major: Allegro
[38] 24. E minor: Sostenuto
[39] 24. E minor: Fairly slowly
[40] 24. E minor: Slowly
[41] 24. E minor: Allegretto

IV. Broken chords
[42] 1. Allegro moderato
[43] 2. Allegretto
[44] 3. Moderato
[45] 4. Moderato
[46] 5. Poco adagio
[47] 6. Andante (Diminished sevenths)

V. The chromatic scale
[48] 1. Andante con moto
[49] 2. a

Andante con moto
[50] 2. b

L'istesso tempo

VI. Scales in selected intervals
[51] Lento (Thirds - Fourth - Sixths - Octaves - Tenths - Thirds)

VII. The most commonly used ornaments
[52] 1. The appoggiatura  Andante sostenuto
[53] 2. The acciaccatura  Allegretto
[54] 3. Double or triple grace notes

Slow waltz-time
[55] 4. The turn

Andante con moto
[56] 5. The inverted turn  Larghetto
[57] 6. The mordent

Allegro moderato
[58] 7. The trill

Andante risoluto

  Norihito Nishinomura, Kazuyo Nomura (fagott)

[59] François Devienne: Duo Concertant Op.3-2 – I. Allegro
  Norihito Nishinomura, Kazuyo Nomura (fagott)

[60] Ervín Schulhoff: Bass Nightingale – I. Melancholia
  Norihito Nishinomura (contrafagott)

Camille Saint-Saëns: Sonate pour Basson
 [61] I. Allegro moderato
 [62] II. Allegro scherzando
 [63] III. Molto adagio
   Kiyoshi Koayama (French basson), Ichiro Nodaira (piano)



Recorded at:
Gotanda Cultural Center, 15-18 April 2019 ……DISC1 [1] - [88] & DISC 2 [1] – [60]
Inagi Municipal iPlaza, 26 July 2019 …... DISC 2 [61] – [63]



Norihito Nishinomura, bassoon
Norihito Nishinomura completed an undergraduate degree at Aichi University of the Arts, followed by a graduate degree and solo-performance studies at Die Zürcher Hochschule der Künste in Zurich. He studied the bassoon with Yoshiaki Aotani and Matthias Racz, and the contrabassoon with Gerd Vosseler and Hans Agreda. In 2008 he participated in the Seiji Ozawa Music Academy Opera Project and the Saito Kinen Festival Matsumoto. He has given guest performances with the Tonhalle Orchester Zurich and the Zurich Opera House orchestra since his student days. In 2014 he played the Mozart bassoon concerto with the Musikkollegium Winterthur. Since 2012 he has served as the deputy-principal bassoonist and contrabassoonist with the Berner Symphonieorchester, and has taught the contrabassoon at the Hochschule der Künste Bern since 2014.

Kazuyo Nomura, bassoon
Kazuyo Nomura completed both undergraduate and graduate studies at Aichi University of the Arts. She studied the bassoon with Yoshiaki Aotani, Hitomi Sugawara, Ryohei Nakagawa and Shinkichi Maeda. Since 2018 she has been studying the French basson with Kiyoshi Koyama. She appeared in the 26th Yomiuri Chubu Annual Concert by New Musicians. She performed the Weber bassoon concerto with the Nagoya Philharmonic Orchestra at the 143rd Japan Federation of Musicians Concert, and is a winner of the Chunichi Prize. In 2009 and 2010, she participated in concerts at the IDRS given by the Tateshina Quartet, directed by Ryohei Nakagawa, a quartet with which she also participated in a recording session in 2017. Also in 2017, she gave a solo recital in Nagoya. She is a bassoonist with the Aichi Chamber Orchestra. She was awarded the 26th Aigin Education & Culture Foundation bursary for her artistic and cultural activities.

Kiyoshi Koyama, French basson
Kiyoshi Koyama graduated from the Musashino Academia Musicae in 1969, and immediately went on to continue his studies at the Conservatoire de Paris on a French government scholarship. He studied the basson with Maurice Allard and chamber music with Pierre Pierlot, and in 1971 won the Premier Prix in both basson and chamber music in 1971. He joined the venetian chamber ensemble Interpreti Veneziani as a soloist in 1973 and performed a Vivaldi bassoon concerto at the Festival Pablo Casals de Prades in 1976. He pursues an active solo career all over Europe and the United States, has appeared at numerous music festivals, including the Salzburg Festival, and has released a large number of recordings on the Erato label. He became a member of the Japan Philharmonic Orchestra in 1980, an orchestra with which he has performed as soloist in concertos by Mozart and Devienne. He has also played concertos by Mozart, Françaix and Vivaldi with Sinfonietta Shizuoka. Kiyoshi recorded ‘L'Histoire du soldat’ for Toshiba EMI in 1992 and established the Japan Basson Society in 1997. He is working hard to raise the profile of the basson. He has released two CDs with ALM Records, ‘Basson Français I & II’. He enjoys an active career as a concerto soloist and recitalist all over the world, with performances including a 2003 basson concerto concert in Cannes, France. At present he is in engaged in an ongoing series during which he will perform all of Vivaldi’s 37 basson concertos with Sinfonietta Shizuoka. In 2015 and 2017 he toured France as a member of a flute, basson and piano trio.

Ichiro Nodaira, piano
After completing both under-graduate and graduate studies at Tokyo University of the Arts, Ichiro Nodaira studied at the Conservatoire de Paris on a French government scholarship. In addition to an active solo career, he collaborates with leading international musicians in chamber music in a wide repertoire which stretches from the Classical to the contemporary. In recent years he has been active as a conductor, often conducting from the keyboard, and has conducted the premieres of his own works with the NHK Symphony Orchestra. Many of his nearly 100 works were commissioned by organizations such as the French Ministry of Culture, Ensemble InterContemporain, IRCAM, the National Theatre of Japan et al. Recent works include ‘Ouverture de fête’ (Kent Nagano/Montreal Symphony Orchestra), ‘Distorsion du temps pour orchestra’ (Yoichi Sugiyama/Tokyo Metropolitan Symphony Orchestra, a three-year project with the NHK Symphony Orchestra ‘Shizuoka Trilogy I, II’, a chamber opera entitled ‘Exile’ et al. Ichiro is music advisor to Orchestra Nipponica. He has received numerous awards, such as the 13th Kenzo Nakajima Music Award, the 35th Suntory Music Award, the 55th Minister of Education Award for Fine Arts, the 44th and 61st Otaka Prize, the 75th Japan Art Academy Prize. He was awarded the Medal of Honor with Purple Ribbon in 2012. At present he is the music director of the AOI Concert Hall Shizuoka and a professor of composition at the Tokyo University of the Arts.